Pearl (2022)

Many who liked “X” will probably find themselves disappointed with this prequel, as it never comes close to reaching the levels of shock and intensity that the former reached.In fact, “Pearl” isn’t really a horror film at all (let alone a slasher), but rather a slow-paced descent-into-madness character study that uses it’s brutal violence sparingly. And it’s a great character study at that.If you’re ok with that, then you’re in for a psychological treat.Highest praise must be given to Mia Goth. She co-wrote the screenplay this time around and it’s clear she understands the character profoundly. Her performance is terrifying. On a dime, she is able to flip from sweet & innocent to bloodthirsty & vengeful to remorseful and empathetic all within the same scene, sometimes even within the same shot.It is, no hyperbole, one of the best lead performances I have ever seen in the genre.When the protagonist of your story is a murdering psychopath, obviously there is a risk of alienating the audience. But that never happened because the script keeps all of Pearl’s actions rooted in the festering grudges she holds toward her unfulfilling responsibilities and the subjectively monotonous life that she feels anchored to.Pearl remains a sympathetic character because she is written as what a lot of us would become if we snapped and acted on every thought we had in our minds.Lastly, the cinematography and other visual choices elevate the journey of madness we are following by adding surreal, otherworldly qualities to Pearl’s fantasies that she indulges.The only complaint that I have is that some of the dialogue could have done with a bit more polish. I understand that they were trying to mimic the over-the-top style of older films, but there were times when the spoken words felt cheesy when they should have had more power.I was not expecting it to be as psychologically hard-hitting as it was. And what an emotional gut-punch of an ending that was.It’s a great film. Ti West’s best work.