Caligula (1979)
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Let’s not kid ourselves here, all ye art students, film-school nerds, and other self-loathing “cinema l’arte” snobs: had this exact same movie been released under the banner “directed by Pier Paolo Pasolini” you would have loved it – sorry: CLAIMED to have loved it – and praised it to high heaven, espousing its virtues in long essays, justifying its extreme sex and violence through some b.s. semantic pseudo-intellectual movie-critic-jargon mumbo-jumbo.Go on, admit it. No-one will laugh. We promise.This movie has been unanimously dismissed as exploitative trash and of no cinematic value by “notable” movie critics.After having seen the full two-and-a-half hour version: a) I can certainly see why THEY would choose to view it that way b) I totally disagree The fact that “Caligula” was financed by Penthouse (gasp!) and directed by Tinto Brass (oh no!) is what this is all about.An excellent cast includes McDowell (an ideal choice for Caligula – or any devious lunatic, for that matter) and Mirren (at the height of her enormous sex-appeal). There is terrific music from Khachaturian, an interesting story, some suspense, etc. A strong stomach is needed to watch this gore-fest, though.A corny, historically inaccurate, fairy-tale-like piece of crap like “Gandhi” gets world-wide recognition, while a brutally realistic film about another historical figure gets the finger. Go figure.
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User 1 Review:
With some more money, some better talent a little more forethought, The Last Heist could have been something truly miraculous. As it stands, it is instead just "Not bad". I like these flip-the-script type crime thrillers. Of course no one's done it quite as well as Dusk till Dawn, but I'm always willing to give them a chance (this year's "Don't Breathe" looks like it has potential in that category as well).Henry Rollins is outstanding, but otherwise the cast is pretty low quality. It's understandable, within the confines of a movie like this, but it still has a negative impact on the tale overall. Like when a machine gun is firing but has no recoil. It doesn't make or break the movie, but it does take you out of the moment, and all these little things add up.Also had a little bit of a Payday vibe, which I appreciate.
User 2 Review:
Good Writing: 1.5 StarsThe first half of the movie has the writing style of the tv show "MTV Cribs". So for a while your thinking this movie is just silliness. But as the protagonists reality starts to change the narrative of the movie changes as well. Which seemingly starts off as a brainless comedy romp ends with a fairly emotional bang.Great Production: 2.0 StarsWhile most of the scenes film from the "reality tv" style camera work (which they make fun of) the soundtrack, set design and wardrobes are all top notch. Gotta give it to Lonely Islands original soundtrack and stage performance, and acting.
User 3 Review:
Mockumentaries have to walk a fine line between reality and satire. POPSTAR manages not only this, but also freshens the genre with compelling characters, a lot of clever humor, a strong dose of inventive raunchiness that is always funnier than offensive, and a few unexpected thoughtful twists that bring it all home in a meaningful way. Dense with fast-pitched laugh-out-loud situations and dialog, this well-produced film creates an ensemble vehicle that gives all characters a chance to delight, as well as a spotlight for Andy Samberg to show he's got more than we might have thought. And, that's a lot.
Posted on: June 13th, 2016
Posted by: aragon